REMARQUE/NEW GROUNDS PRINT WORKSHOP & GALLERY
  • Home
  • Workshops
  • Online Gallery
  • Opportunities
    • Membership
    • Call For Entry/ Call for Proposals
    • Internship Opportunites
    • Residencies at Remarque >
      • Remarque Residency Admin Fee
  • Services
    • Press Rental
    • Private Instruction
    • Custom Printing
    • The New Grounds Non-Toxic Etching Manual
  • About Us
  • Category

4th International Juried Print Exhibition, 2016

Juror: Ren Adams, MFA
Picture
Hyejeong Kwon, Monologue 1. 1 x 8.25", Etching & Aquatint. *Winner*
Picture
Justin Barfield, 62145. 6.25 x 14". Silkscreen and Burnt plate oil on Rusted Paper. *Honorable Mention*
Picture
Val Lucas, Remembered Sunset Sparks. 6 x 9". Three Color Woodcut. *Honorable Mention*

Picture
Beatrice Carlson, Peara. 8.25 x 6". Solarplate Etching.
Picture
Charles Barth, Ready for More. 8.75 x 7.75". Collagraph.
Picture
Jon Goebel, Pursuit of Latitude. 13 x 8". Drypoint and Aquatint.
Picture
Dennis Worrel, Man on Horse. 11 x 7.5". Silk Mezzotint and Drypoint.
Picture
Larinda Meade, Rocky 2. 4 x 11.5". Intaglio Soft Ground.
Picture
Ana Fernandez, Subcutaneous Life. 9 x 6". 4-color photo-polymer intaglio print with monotype.
Picture
Julianne Ricksecker, Harris Beach, Oregon. 10 x 12". Etching and aquatint.
Picture
Linda Whitney, Little Jingle Dancer. 9 x 6". Mezzotint.
Picture
Peter de Leur, The Ditch. 4 x 6". Etching, Aquatint and Drypoint.
Picture
Cleo Wilkinson. Elsewhere. 4 x 4". Mezzotint Print.
Picture
Helene Bautusta, Dans Les Nuages. 19.75 x 15.75". Linocut.
Picture
Wenije Chen. Travel Notes. 10 x 10". Screenprint.
Picture
Ashton Ludden, Trend Setter. 11 x 11". Relief Engraving.
Picture
Marco Trentin, Head of Class. 7.625 x 6.5". Xilografia.
Picture
Alberto Balletti, Dog's Life 1. 11.75 x 7.875". Etching.
Picture
Robert Fitzmaurice, Trappings. 7 x 9.75". Carborundum Print.
Picture
Terry Vatrt, Taking Flight. 11 x 8". Intaglio, aquatint, mixed media.
Picture
Kristina Key, Aquatint IV. 5 x 9.75". Copper Etching, Aquatint.

Juror's Statement
Printmaking is alive and vibrant—an active, global vocabulary that remains vital and relevant, even when the techniques employed are centuries old. Printmakers continually embrace new approaches and techniques, never losing sight of the centuries-old dialogue begun by those earliest cave wall stencils and relief prints. Albuquerque itself has an especially rich history in print, and this is the 4th year New Grounds has hosted the International Printmaking Exhibition, an exhibition that features selected works submitted by artists from nearly every corner of the map. I am proud to have served as the juror for this exhibition, not long after my own printmaking mentor, Yoshiko Shimano juried an earlier show, and it was a treat to review such a rich variety of marks.

William Kentridge describes printmaking as a process that leaves a trace behind. I expand this to suggest we printmakers develop imagery and concept on a plate, then transfer the memory of that original engagement to the paper, not unlike the way our brains record life memories and moments00mnaking printmaking capable of great depths. We create, capture fleeting moments, preserve them as imprints, (traces), while the original moment romantically passes from existence, not unlike our everyday exchanges. As artists, we pursue this desire to make an imprint, to sustain this language of memory and engagement that refuses to die, and in fact, becomes ever more relevant with each movement in the present. Printmaking is political, social, collaborative, communal and increasingly relevant. Therefore, presenting an exhibition that offers insight into what printmakers around the world are engaged in, the kinds of forms they’re creating, is an opportunity to tune in to an international voice—vital to the critical discourse of global art. 

​Ren Adams, MFA

Originally from Southern California, Ren Adams works cross-media, from visual art installations to hybrid printmaking, writing, video, painting, and sound. Adams received an MFA in Visual Art from Lesley University College of Art and Design and a BFA in Studio Art (Printmaking) from the University of New Mexico. She also has a degree in English, mentored under Thom Gunn and Charles Hood. An award-winning artist, Adams has exhibited work internationally and regularly publishes poetry, critical writing and images. Her writing appears in numerous publications, including BROAD!, e-ratio, Atom Mind, Tokens: A Subway Anthology, Poetry Motel, Potpourri, The Great Blue Beacon, and Mother Road. Her visual art has been featured in The Bombay Gin, The Hand Magazine, First Class Lit, Fickle Muses, Box of Jars, Cactus Heart and The Adirondack Review, among others. Adams is a UC Berkeley Alumni Scholar, a frequent visiting artist, lecturer, and instructor, and she completed a lithography internship at Tamarind Institute. Recent solo exhibitions include Desert (Loss) (2015) and Alchemy of Image (2014) and the upcoming Whitespace-Bluespace (2016). Adams has juried and curated more than a dozen exhibitions and frequently teaches through the University of New Mexico. Adams is a member of the New Media Caucus, Southern Graphics Council International and the New England Monotype Guild, and has been the president and coordinator of several regional arts organizations, as well as a resident critic at Lesley University in Cambridge, MA.

Picture
Picture
Images from the 2016 Opening
Picture

Read and see more about last year's event, the 3rd International Juried Print Exhibition on our blog!

Hours

 Friday & Saturday 10am - 6pm
Other days by Appointment
E-Mail
director@remarqueprintshop.com
Sign up  to be on our email list!

Telephone

505-268-8952
  • Home
  • Workshops
  • Online Gallery
  • Opportunities
    • Membership
    • Call For Entry/ Call for Proposals
    • Internship Opportunites
    • Residencies at Remarque >
      • Remarque Residency Admin Fee
  • Services
    • Press Rental
    • Private Instruction
    • Custom Printing
    • The New Grounds Non-Toxic Etching Manual
  • About Us
  • Category