Upcoming Classes:
Classes capped at 5 participants. See our "Workshops" page for a full list of COVID-19 precautions.
Introduction to Photopolymer PrintmakingThis versatile technique is perfect for photographers interested in expanding their options for photographic expression. The wonderfully-easy-to-use photosensitive (photopolymer) plates allow artists to create a distinct, handmade look to their photographic prints. Participants will learn to manipulate their images on Photoshop, how to expose them onto the photosensitive plates and finally, techniques for inking and printing rich and detailed images.
Date & Class Size: Due to the limitations posed by the Covid Pandemic, this class is being offered as a tutorial. Contact the shop to schedule a time. Cost: $240 + tax Instructor: Lincoln Draper |
Homemade Holiday Cards Linocut WorkshopGet your creative juices flowing and make your own holiday cards this year! Everyone knows a hand-printed, original card made with love is the best gift! In this one-day class, participants will learn the basics of relief printmaking, carving out images from small linoleum pieces. Linocuts lend themselves to striking, graphic images that can be printed in a variety of colors. No experience is necessary- this will be a fun, exciting class for all levels. Experienced printmakers with a desire to get into the studio are welcome as well!
Date: December 5th, 10am-5pm with a lunch break Cost: $120 + tax Instructor: Holland Hardie REGISTRATION CLOSED |
Upcoming Workshop:
Find the "Ghost" in Ghost Prints
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This one-day workshop will focus on ghost prints (a second, lighter print from an initial image) made from monoprints. Participants will learn how to create a monoprint, print it, and then use the remaining "ghost" image on the plate to create a new print. This method can create areas of ethereal midtones alongside very dark blacks and bright whites - the result is a delicate but striking image with a ghostly air.
This class is limited to 5 participants. The class will take place in our large, well-ventilated studio space and masks will be required. For a full list of our COVID precautions see our Workshops page. Date: Saturday, October 17, 10:00am - 5:00pm (with a lunch break - tables provided outside) Instructor: Mary Sundstrom |
Image: Autumn Doe, monoprint by Mary Sundstrom
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What's in a Mark: an Exhibition of Prints Based on Mark-Making
September 4th - 30th, 2020
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This exhibition brings together eight artists whose work share a common thread -- the expressive act of mark making. Each artist has created original hand-pulled prints using personal ‘signatures’ consisting of lines, dots, patterns, and textures in depicting their subject matter. The artists have chosen to approach their work through either playful exploration, methodical repetition, or a combination of both. The resulting images range from the spontaneous and intuitive, to controlled and precise marks on paper. They are intriguing records of intense interaction and aesthetic manipulation with the varied tools and processes of dry point etching, monotype, gravure, encaustic monoprint, and mixed media.
This exhibition features artwork by Krista Barrett, Christine Herman, Chuck Lathrop, Suzanne Marshall, Trish Meyer, Mary Sundstrom-Gramer, Dan Welden, and Pamela Wesolek. Join us for What's in A Mark? Virtual Reception & Artists' Talk! When: Sep 23, 2020 04:00 PM Mountain Time (US and Canada) |
Call for Entries!
8th Annual International Juried Print Exhibition
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Remarque Print Workshop & Gallery invites printmakers from around the world to submit work for our 8th Annual International Juried Print Exhibition. The Exhibition aims to present a collection of innovative prints featuring themes and techniques from all traditions of printmaking. We invite works from all printmaking traditions, including, but not limited to: relief, etching, monotype, collagraph, photopolymer intaglio. We are particulary interested in combinations of printmaking traditions.
Entry Deadline: October 4, 2020
Exhibition Dates: December 4, 2020 - January 30, 2021 All accepted work must arrive at Remarque no later than November 12, 2020 |
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New Class Opportunity!
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Pop-Up Classes: Monotype, Milk Carton Etching, or Stamping
Our new pop-up classes allow you to design your own experience:
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Now Showing in the Main Gallery:
On the Borderline - Meditations on Place and Limits
Photopolymer Intaglio Prints by Lincoln Draper
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Still Showing in the Blue Gallery:
Punching Marshmallows: Rage, Uncertainty, and Fatigue
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Update from the Team at Remarque:
In the face of the ongoing COVID-19 crisis, we have decided that it is in the best interest of our community's health and well-being to close Remarque Print Workshop temporarily.
- We will be resuming our regular hours on June 12, 2020. The number of visitors to the gallery will be limited, and everyone must wear a mask. Appointments outside of our regular hours are also available, please email to schedule.
- Classes scheduled through May 15th will be postponed and we will reschedule them when conditions warrant.
- Members retain full access to the printshop.
This is a challenging time for everyone, including small arts organizations. We ask for patience from everyone involved while we try to find the best way forward in these difficult circumstances.
Thanks,
The Team at Remarque: Lincoln, Mary, Jessica K. and Jessica W.
- We will be resuming our regular hours on June 12, 2020. The number of visitors to the gallery will be limited, and everyone must wear a mask. Appointments outside of our regular hours are also available, please email to schedule.
- Classes scheduled through May 15th will be postponed and we will reschedule them when conditions warrant.
- Members retain full access to the printshop.
This is a challenging time for everyone, including small arts organizations. We ask for patience from everyone involved while we try to find the best way forward in these difficult circumstances.
Thanks,
The Team at Remarque: Lincoln, Mary, Jessica K. and Jessica W.
Current Exhibitions:
Connect : Collect | Print as Object
March 6th - 28th, 2020
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February Exhibitions:
February 7th - 29th, 2020
Selections from the Santa Fe Etching Club |
Dan Noyes: Vietnam Mandala |
Free Printmaking Extravaganza!
January 18th, 2pm-4pm
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Come learn more about the possibilities and marvels of printmaking at our printmaking extravaganza this Saturday! The goal of this event is to give curious artists and printmakers a chance to see a sampling of the myriad printmaking techniques in action. We will have artists working in 5 different techniques simultaneously around our workshop for the span of two hours. Visitors are encouraged to ask questions and talk with the artists as they work and demonstrate their techniques. Supervised children are invited as well. You are welcome to stay the whole time, or just pop in for a few minutes. Techniques “on display” will be: relief, linocut, collagraph, monotype, drypoint etching, and photo polymer.
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CALL FOR ENTRY!
2020 PRINTMAKING RESIDENCY AT REMARQUE
Deadline for Application: December 1st, 2019
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Session 1: February 17 - 21
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Session 2: March 16 - 20, 2020
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Remarque's bi-annual printmaking residency offers five artists the opportunity to spend a week in an intensive, self-led studio setting. Selected artists will have 24-hour access to our 3,000 sq. ft. studio, including free use of our 6 Takach presses, Akua inks, exposure unit, plate cutter, etching tanks, etc. Artists are expected to provide their own paper and plate materials. Applicants must have prior printmaking experience, but need not be familiar with our non-toxic Akua inks and non-toxic etching process. Our goal is to bring five diverse printmakers together for a week-long session, in order to foster their creative process and to forge new relationships with printmakers from different parts of the country/world. In addition, we entertain the possibility of having artists teach a workshop, or participate in a pop up show and/or artists talk.
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Call for Entries! Call for Entries! Call for Entries!
7th Annual International
Juried Print Exhibition
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Remarque/New Grounds Print Workshop & Gallery invites printmakers from around the world to submit work for our 7th Annual International Juried Print Exhibition to be held at Remarque from December 6, 2019 to January 25, 2020.
Event Dates: December 6, 2019 to January 25, 2020
Entry Deadline: October 6, 2019
Old "About Us" bio:
Established in 1996 by its director Regina Held, Remarque/New Grounds is one of the first completely non-toxic print workshops in the world. The award-winning print institution was first operated in Albuquerque’s rural South Valley and moved to its current 4000 square foot location in historic Nob Hill along Route 66 in March 2000. With six hand-operated etching presses, New Grounds matches, and even surpasses, the number of printing presses available in many university printmaking departments.
Check us out on Wikipedia
The Workshop
Remarque is a safer and alternative printmaking facility fully equipped for the creation of prints in etching, photogravure, monotype and relief printing. Regularly scheduled classes are offered in all of these printmaking mediums. The core of our facility is the membership program, which provides experienced artists with affordable access and flexible hours. In addition, we offer press rental at hourly rates to non-members. Both members and non-members can take advantage of our expertise in custom printing, printing assistance, and plate exposure for photogravure plates.The interested public can learn about prints through studio tours or printmaking lectures. Remarque encourages the highest standards of quality in all aspects of printmaking.
The Gallery
Remarque features a large selection of original works on paper such as etchings, monotypes, relief prints, gravure and mezzotints by its studio members and a selected group of well-known international printmakers from Europe, Japan and Latin America. Subject matters and styles range from contemporary to traditional with hundreds of framed and unframed works to choose from. Exhibitions generally rotate once a month, with an opening reception on the first Friday of the month.
Established in 1996 by its director Regina Held, Remarque/New Grounds is one of the first completely non-toxic print workshops in the world. The award-winning print institution was first operated in Albuquerque’s rural South Valley and moved to its current 4000 square foot location in historic Nob Hill along Route 66 in March 2000. With six hand-operated etching presses, New Grounds matches, and even surpasses, the number of printing presses available in many university printmaking departments.
Check us out on Wikipedia
The Workshop
Remarque is a safer and alternative printmaking facility fully equipped for the creation of prints in etching, photogravure, monotype and relief printing. Regularly scheduled classes are offered in all of these printmaking mediums. The core of our facility is the membership program, which provides experienced artists with affordable access and flexible hours. In addition, we offer press rental at hourly rates to non-members. Both members and non-members can take advantage of our expertise in custom printing, printing assistance, and plate exposure for photogravure plates.The interested public can learn about prints through studio tours or printmaking lectures. Remarque encourages the highest standards of quality in all aspects of printmaking.
The Gallery
Remarque features a large selection of original works on paper such as etchings, monotypes, relief prints, gravure and mezzotints by its studio members and a selected group of well-known international printmakers from Europe, Japan and Latin America. Subject matters and styles range from contemporary to traditional with hundreds of framed and unframed works to choose from. Exhibitions generally rotate once a month, with an opening reception on the first Friday of the month.
7th Annual International
Juried Print Exhibition
Deadline for entry: October 6, 2019
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Remarque's 7th Annual International Juried Print Exhibition is an opportunity for printmakers from around the world to submit their art for jury and exhibition. Our juror this year is Myles Calvert.
We have received 600 submissions and are hard at work processing the entries! The show will be up December 6th, 2019 - January 25th, 2020.
Now Showing!
Sarah Smelser: Intimate, Personal, Social, and Public
Opening reception: Friday, September 6th, 5-8pm
Through September 28th
Sarah Smelser
Heraclitus X Monotype |
Sarah Smelser
Post-Skopelos Journey I Monotype |
Sarah Smelser
Post-Skopelos Journey III Monotype |
Now Showing!
Darlene Kalynka: Four Oldest Daughters
Opening reception: Friday, September 6th, 5-8pm
Through September 28th
Darlene Kalynka
Stella's Scythe Etching |
Darlene Kalynka
Sophia's Scythe Etching |
Darlene Kalynka
Darlene's Scythe Etching |
Call for Entries:
6th Annual International Juried Print Exhibition
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Remarque/New Grounds Print Workshop & Gallery invites printmakers from around the world to submit work for our 6th Annual International Juried Print Exhibition to be held at Remarque from December 7, 2018 to January 27, 2019. The Exhibition aims to present a collection of innovative prints featuring themes and techniques from all traditions of printmaking.
Event Dates: 12/7/18 - 1/27/19
Entry Deadline: 9/30/18
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Remarque Print Workshop & Gallery invites printmakers and photographers from around the world to submit work for our exhibition, “Borders, Boundaries and Limits” to be held at Remarque from July 6th – 28th, 2018.
“Borders, Boundaries and Limits” is a call for hand-printed photographic imagery using “alternative processes”, such as: photogravure, photopolymer intaglio, cyanotype, gum bichromate, carbon, salt, lumen, anthotype, gumoil, etc; basically, any alternative to straight digital printing. The theme of “Borders, Boundaries and Limits” can be widely interpreted...literally, figuratively, expressively, psychologically, visually, etc. Fee: $30.00 Entry Deadline: 4/30/18 Event Dates: 7/6/18 - 7/28/18 |
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5th International Juried Print Exhibition, 2017
We are pleased to say that we have received an unprecedented number of entries this year. We are in the process of jurying and we wish the best of luck to all entrants.
Remarque Print Workshop & Gallery invites printmakers from around the world to submit work for our 5th Annual International Juried Print Exhibition to be held at Remarque Print Workshop from December 1, 2017 to January 27, 2018. The Exhibition has no set theme, but rather aims to present a collection of innovative prints featuring themes and techniques from all traditions of printmaking across the world.
We are proud to announce that his year's juror/ curator will be Andrew Connors, Curator of Art at the Albuquerque Museum.
Each artist may submit three to five original prints in any printmaking technique or combination thereof. (No digital images, photography or giclée reproductions.) Prints should be from the last three years. Maximum paper size is 16” x 20”.
Entry Fee: $30
Deadline: October 13th.
Download Prospectus
We are proud to announce that his year's juror/ curator will be Andrew Connors, Curator of Art at the Albuquerque Museum.
Each artist may submit three to five original prints in any printmaking technique or combination thereof. (No digital images, photography or giclée reproductions.) Prints should be from the last three years. Maximum paper size is 16” x 20”.
Entry Fee: $30
Deadline: October 13th.
Download Prospectus
Hyejeong Kwon, Monologue 1. 1 x 8.25", Etching & Aquatint. *2016 Winner*
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Val Lucas, Remembered Sunset Sparks. 6 x 9". Three Color Woodcut. *2016 Honorable Mention*
Justin Barfield, 62145. 6.25 x 14". Silkscreen and Burnt plate oil on Rusted Paper. *2016 Honorable Mention*
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Images from the 2016 Opening
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Read and see more about last year's event, the 4th International Juried Print Exhibition!
Collective: Remarque Members' Annual Show
Opening Reception: Friday, June 7th, 5-8pm
Show runs June 7th - July 6th, 2019
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Algo nativo en baja california - Roberto Salas
Opening Reception: Friday, June 7th, 5-8pm
Show runs June 7th - July 6th, 2019
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New! Call for entry: Unexpected Narratives
calling all printmakers and photographers...
Click here for more info
Encaustic Explorations: Emanations from the Deep Imagination
Opening Reception: Friday, May 3rd, 5-8pm
Show runs May 3rd - May 31st
Show runs May 3rd - May 31st
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Current Exhibitions:
"Footnote"
Special Guest Artist, Lihie Talmor
Winner of the 5th International Print Exhibition
Click Here To See Gallery
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Stunning prints combining etching and photopolymer processes
Show Extended through May 31st, 2019
Evey Jones
"There are No Maps"
Monotype with silk overlay
Click HereTo See Gallery
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Opening Reception: Friday, April 5th 5 - 8 pm
Jessica Krichels - Morphologies
March 1st - March 29th, 2019
Exaptation |
Time Contortion 1 (detail) |
Stasis |
Morphology /môrˈfäləjē/
noun
the study of the forms of things.
the branch of biology that deals with the form of living organisms, and with relationships between their structures.
the study of the forms of words
Morphologies is a collection of multi-layered monoprints that explores the complex natural and unnatural relationships between "things" and the developments and inconsistencies that occur as a result of their interactions. It also explores the importance of words, and the human ability to distort or censor their meaning.
noun
the study of the forms of things.
the branch of biology that deals with the form of living organisms, and with relationships between their structures.
the study of the forms of words
Morphologies is a collection of multi-layered monoprints that explores the complex natural and unnatural relationships between "things" and the developments and inconsistencies that occur as a result of their interactions. It also explores the importance of words, and the human ability to distort or censor their meaning.
Carol Felley - Rhythm of Resiliency
March 1st - March 29th, 2019
Agony & Relief (detail) |
Portal |
Death Rhythm 1 (detail) |
The artwork in "Rhythm of Resiliency" encourages us to step out of our usual frame of reference into a visual contemplation of the pairing of despair and joy within the grieving process. This collection of prints reveals images from Carol's inner realm using rhythmic marks, archetypal imagery, and colors and shapes that engage us through our senses. Complex landscapes of ostomy bags, part of her brother's medical treatments, transform to a simple urn, a metaphorical container for her loving relationship that is about to end. Totems adorned with images of bones and floral embellishments turn upwards towards the heavens and eventually become mourning dresses embellished with elements that represent her outward expression of grief.
New Mexico: Living Relief |
Click the image below to see the prints and prices |
New Mexico: Living Relief" is an exhibition of contemporary artists of our region dedicated to relief printmaking, including those working in the southern part of our state. From below the 34th latitude are prints from Fred Barraza, Phillip Parotti, and Chris Bardey, all of whom were prominent in Silver City during last year's Southwest Print Fiesta. This show also follows the relief exhibition at the Albuquerque Museum last year -- "The Carved Line: Block Printmaking in New Mexico" -- which was organized in part by Santa Fe printmaker Scott Parker, who is having a solo show in the main gallery. Albuquerque and Santa Fe artists featured include Henry Morales, Mary Sweet, Jan Vanderburg, Mike Kimball, and Karsten Creightney.
Shows run from February 1st to
February 24th
February 24th
Don't Miss Our February Shows!
Through February 24
Scott W. Parker: 10 years in New Mexico, Linoleum block prints
“Scott W. Parker: 10 years in New Mexico, Linoleum block prints”: This exhibition features a collection of compelling and lyrical multi plate relief prints by Santa Fe artist, Scott W Parker. Parker endeavors to consciously use imagination and skill in the production of aesthetic objects using the medias of painting, drawing and linoleum block printing. The series of actions, decisions or operations culminating in the work of a visible hand made representation after solving problems and difficult situations is what has kept Scott Parker entertained and making images for decades.
"Flatline" Continues through the end of November
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Opening Reception, October 5, 5 - 8 pm
Special November Reception, November 2, 5 - 8 pm
Special November Reception, November 2, 5 - 8 pm
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Prints by Nationally Known Artists from all over the Country!
Call for Entries:
6th Annual International Juried Print Exhibition
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Remarque/New Grounds Print Workshop & Gallery invites printmakers from around the world to submit work for our 6th Annual International Juried Print Exhibition to be held at Remarque from December 7, 2018 to January 27, 2019. The Exhibition aims to present a collection of innovative prints featuring themes and techniques from all traditions of printmaking.
Event Dates: 12/7/18 - 1/27/19
Entry Deadline: 9/30/18
Current Shows
Thayer Carter: "A Journey of Woodcuts"
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Dan Noyes: "Present" A Suite of Mokuhanga Prints
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Opening Reception (both shows):
Friday, September 7th 5 - 8 pm |
Shows Run from September 7th to September 29th
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Explorations of the Inner World
Hyejeong Kwon
Winner of the 4th International Print Exhibition
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Recent Works on Paper - Ron Pokrasso
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Opening Reception
Friday, August 3rd, 5 - 8 pm
Show Dates: August 3 - 31, 2018
Borders, Boundaries and Limits
Printmaking and Alternative Photography
A National Juried Photo Show at Remarque
July 6th through July 28th, 2018
Remarque/New Grounds Print Workshop & Gallery invited printmakers and photographers from around the world to submit work for this exhibition. “Borders, Boundaries and Limits” is a show of hand-printed photographic imagery using “alternative processes”, such as: photogravure, photopolymer intaglio, cyanotype, gum bichromate, carbon, salt, lumen, anthotype, gumoil, etc; basically, any alternative to straight digital printing.
The theme of “Borders, Boundaries and Limits” is interpreted literally, figuratively, expressively, psychologically, and visually!
The theme of “Borders, Boundaries and Limits” is interpreted literally, figuratively, expressively, psychologically, and visually!
Douglas Collins, “91317-6,” Cameraless photography, 9 x 9 in, 2017, $400
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Zeinab Saab, “Translate Beit,” Screenprint/artist book, 4.25 x 11 in, 2018, $450
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Sage Stafford, “Cyanoscape (Chicago & Casablanca),” Cyanotype on muslin fabric, 11 x 7 in, 2018, $100
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Current Exhibits Through June 30th
Janet Yagoda Shagam: All Catawampus - Christine Herman: Free Fall
Janet Yagoda Shagam
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Christine Herman
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Driveby: Paintings by Joy Coffino
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Opens Friday, May 4, 2018 5:00 pm
Runs through May 26, 2018
Origin: etchings by Pamela Wesolek
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Opens Friday, May 4, 2018 5:00 pm
Runs through May 26, 2018
Runs through May 26, 2018
CALL FOR PROPOSALS!
We are looking for exciting new show proposals for our two gallery spaces for 2018- 2019! We are looking for innovative, fresh concepts in prints and works on paper. The larger gallery (approximately 32’ x 17’ ) will remain dedicated exclusively to prints. For the smaller gallery (formerly the office, approximately 12’ x 12’ ) we will accept proposals for prints or other works on paper. Show proposals can include the two spaces, or only one, they can be multi-artist, or solo shows. To submit a proposal please email the following by November 1: a one paragraph synopsis of the proposed show including the artists, the techniques, the concept and date the work would be available. Please send three images of the work (or similar work), as well as the artists’ resumes. Questions? Please email us.
THANKS! Jessica, Jessica, Lincoln and Mary
We are looking for exciting new show proposals for our two gallery spaces for 2018- 2019! We are looking for innovative, fresh concepts in prints and works on paper. The larger gallery (approximately 32’ x 17’ ) will remain dedicated exclusively to prints. For the smaller gallery (formerly the office, approximately 12’ x 12’ ) we will accept proposals for prints or other works on paper. Show proposals can include the two spaces, or only one, they can be multi-artist, or solo shows. To submit a proposal please email the following by November 1: a one paragraph synopsis of the proposed show including the artists, the techniques, the concept and date the work would be available. Please send three images of the work (or similar work), as well as the artists’ resumes. Questions? Please email us.
THANKS! Jessica, Jessica, Lincoln and Mary
Both Shows run from September 1 to September 30
Paintings by Jacob Terrazon Matteson
Landscape Chroma
Mezzotints by Special Guest Artist
Eun-Ji Choi
The Song of the Universe and Nature
New Shows in September
Both shows run Sept. 1-30
Introduction to Copper Etching
August 12 & 13
This basic, introductory workshop provides students with all the information they need to create a rich line etching and aquatint using non-toxic methods. Etching is a marvelous technique for those who love to draw to take their art to a new level. Students will learn to prepare their plates, coat them with hardground, etch and print them. We will learn to use aquatint to create luscious grays similar to those seen in Goya’s etchings. This process was originated in the 16th century and was made famous by artists such as Rembrandt and Turner. This workshop is open to those who are just beginning or those who want to learn non-toxic methods of etching.
Class dates: August 12 & 13
Class time: 10 AM – 5 PM, includes lunch break
Class fee: $240+ tax, includes 6 x 4.5″ copper plate, 1 sheet of paper, and most printing materials
Instructor: Pam Wesolek
New Grounds Print Workshop & Gallery is inviting all printmakers to submit work for our 4th International Juried Print Exhibition to be held at New Grounds from December 1, 2016 to January 31, 2017, with a reception on Thursday, December 1, 5-8 pm during the annual Nob Hill Shop'n Stroll.
Founded in 1996, New Grounds Print Workshop is one of the first completely non-toxic printmaking facilities. The award-winning studio offers access to printmaking equipment and year-round classes. Connected to the workshop is New Grounds Gallery which features artists working at New Grounds Print Workshop and a selected group of printmakers from Europe, Japan, New Zealand, India and Mexico.
First prize - Solo Show at New Grounds in 2018, gallery representation and artists’ page on gallery web site. Representation may be offered to more than one artist. Awards will be announced during the opening reception.
Entry deadline:
Entries due by midnight on September 30, 2016 via e-mail: director@newgroundsprintshop.com
Artwork submissions:
Each artist can submit up to 3 works of art – they must be original, two-dimensional, traditional printmaking techniques, or a combination of printmaking techniques, created within the last 3 years. No photography/no digital images/no giclée reproductions.
Maximum Paper size: 16 x 20”
Maximum Image size: 10 x 12”
Jurors: Regina Held, MFA, Director of New Grounds and Ren Adams, MFA, artist, writer.
Regina Held: Originally from Germany, she received a Bachelor in Fine Arts from the University of Texas at Austin, and a Masters in Fine Art from the University of New Mexico. In addition, she completed the summer program at the Tamarind Institute of Lithography. Held’s work has been exhibited in the USA, Mexico, and Germany. She is the founder and director of New Grounds Print Workshop and Gallery, New Mexico’s only membership-based, professional, non-toxic printmaking facility. Held is co-author of New Grounds - The Manual For Non-Toxic Etching.
Ren Adams: Originally from Southern California, Ren Adams works cross-media, from visual art installations to hybrid printmaking, writing, video, painting, and sound. Adams received an MFA in Visual Art from Lesley University College of Art and Design and a BFA in Studio Art (Printmaking) from the University of New Mexico. She also has a degree in English, mentored under Thom Gunn and Charles Hood. An award-winning artist, Adams has exhibited work internationally and regularly publishes poetry, critical writing and images. Her writing appears in numerous publications, including BROAD!, e-ratio, Atom Mind, Tokens: A Subway Anthology, Poetry Motel, Potpourri, The Great Blue Beacon, and Mother Road. Her visual art has been featured in The Bombay Gin, The Hand Magazine, First Class Lit, Fickle Muses, Box of Jars, Cactus Heart and The Adirondack Review, among others. Adams is a UC Berkeley Alumni Scholar, a frequent visiting artist, lecturer, and instructor, and she completed a lithography internship at Tamarind Institute. Recent solo exhibitions include Desert (Loss) (2015) and Alchemy of Image (2014) and the upcoming Whitespace-Bluespace (2016). Adams has juried and curated more than a dozen exhibitions and frequently teaches through the University of New Mexico. Adams is a member of the New Media Caucus, Southern Graphics Council International and the New England Monotype Guild, and has been the president and coordinator of several regional arts organizations, as well as a resident critic at Lesley University in Cambridge, MA.
Presentation:
All selected works will be archivally framed and displayed in New Grounds Gallery. There is no cost to the artists.
Entry Fee: Non-refundable $30
All submissions must be accompanied by a non-refundable entry fee of $ 30. This fee covers return postage of your work, administration and exhibition costs. This entry fee can be paid by Pay Pal, check, money order, wire money, or credit card. Pay Pal is our preferred method of payment, but we are flexible. For PayPal, please send the payment to our email address, director@newgroundsprintshop.com
How to Submit Entries for Jurying (by September 30, 2016):
- Entries must be submitted in digital form, by email.
- Up to three (3) works may be submitted by each artist.
- Digital images submitted should be 300 dpi JPEG format, measuring 6 inches on the long dimension, and set to RGB.
- Each file should be named as follows: Last Name, First Name, Title of piece.jpg.
- Entries should be emailed to director@newgroundsprintshop.com. Entries must arrive by midnight on September 30, 2016
- The Subject line of the email should read International Competition and your last name.
- In the body of the email please include for each image submitted:
Name
Title
Image size (Height by Width)
Medium
Retail Price (Please note that the gallery takes 50% of the retail value)
For example: Anderson,Tim,Waves.jpg ;
Title: Waves, Image Size: 8X12, Medium: Etching and aquatint, Price: $150
In addition, in the body of email provide your address and phone number.
If you choose to pay with your credit card, please provide your credit card number with expiration date. You can also call us with your credit card information if you do not feel comfortable sending it via email.
Commission on sales:
New Grounds will retain 50% of the retail price and the artist will receive 50% of the retail price.
Payment to the Artist:
Within thirty (30) days of the end of the exhibition, it shall be the responsibility of New Grounds to make payment via check or Paypal.
Use Rights:
By submitting for jurying, artists whose submissions are chosen for the exhibition grant New Grounds the right to use their images for the purpose of marketing the exhibition. Artists grant the use of their image(s) as stated without further contact or compensation. Artist’s recognition is provided with use.
Artists will be contacted by e-mail with results of juror by October 7, 2016
Accepted Works: Must arrive at New Grounds Gallery between October 15 and November 15, 2016
- Accepted works need to be shipped: unframed, un-mounted, signed with artists name, title, year and numbering, in a mailing tube- no exceptions. No substitutions for accepted artworks.
New Grounds Gallery
3812 Central Ave. SE #100B
Albuquerque, NM 87108
USA
- Artists are responsible for shipping and insurance costs during transit. International work should be shipped by postal service: please allow 1-2 weeks for shipping. All international artists must write ‘Printed Matter – No Commercial Value’ on the package. Please send in reusable mailing tube.
- Insurance
All received work will be handled with maximum care and will be insured for wholesale value while on gallery premises. Works will be returned at the galleries expense.
2015 Winner;
Eun-ji Choi (Japan)
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