New March Shows!
Opening Reception Friday March 1st, 5-8pm
Carol Felley - Rhythm of Resiliency
March 1st - March 29th, 2019
Agony & Relief (detail) |
Portal |
Death Rhythm 1 (detail) |
The artwork in "Rhythm of Resiliency" encourages us to step out of our usual frame of reference into a visual contemplation of the pairing of despair and joy within the grieving process. This collection of prints reveals images from Carol's inner realm using rhythmic marks, archetypal imagery, and colors and shapes that engage us through our senses. Complex landscapes of ostomy bags, part of her brother's medical treatments, transform to a simple urn, a metaphorical container for her loving relationship that is about to end. Totems adorned with images of bones and floral embellishments turn upwards towards the heavens and eventually become mourning dresses embellished with elements that represent her outward expression of grief.
Jessica Krichels - Morphologies
March 1st - March 29th, 2019
Exaptation |
Time Contortion 1 (detail) |
Stasis |
Morphology /môrˈfäləjē/
noun
the study of the forms of things.
the branch of biology that deals with the form of living organisms, and with relationships between their structures.
the study of the forms of words
Morphologies is a collection of multi-layered monoprints that explores the complex natural and unnatural relationships between "things" and the developments and inconsistencies that occur as a result of their interactions. It also explores the importance of words, and the human ability to distort or censor their meaning.
noun
the study of the forms of things.
the branch of biology that deals with the form of living organisms, and with relationships between their structures.
the study of the forms of words
Morphologies is a collection of multi-layered monoprints that explores the complex natural and unnatural relationships between "things" and the developments and inconsistencies that occur as a result of their interactions. It also explores the importance of words, and the human ability to distort or censor their meaning.
Upcoming classes
Bookmaking: Link Stitch and French Twist Stitch - March 30th
$129.45
Instructor: Kimberly McCarthy
One-day Workshop
Class dates: Saturday March 30th
Class time: 10am - 5pm, includes lunch break
Class fee: $120 + tax
Learn the simple and elegant Link Stitch and French Twist Stitch in this beginner level bookmaking class. Discover the versatility of exposed bindings to create decorative elements and learn how to incorporate and transform cast off prints or drawings into beautiful books. This workshop is perfect for those interested in creating their own journal or sketchbook. Students will create one soft covered and one hard covered book. Basic materials will be provided for the duration of the class with additional materials available through the instructor. Students with prior bookbinding experience are encouraged to bring their own supplies.
See our Cancellation Policy:
Photography & Etching as Sites of Interpretation and Deviation - April 6th - 7th
$280.48
Instructor: Lihie Talmor, Winner of the 5th Annual International Print Exhibition
Two-day Workshop
http://www.talmorlihie.com/
Class Date: Friday & Saturday April 6th-7th
Class Time: 10am - 5pm, includes lunch break
Class fee: $260.00 + tax
This is a special chance to work with guest teacher Lihie Talmor. Talmor is an Israeli artist who divides her time between Israel and Venezuela and has shown her bold, thought-provoking work throughout the world. This comprehensive two-day workshop, open to artists of all experience levels, will explore how a printed image can shift from the photographic to the graphic mode and what can be gained from their combination. By working with two plates—the first etched from the projection of a photograph and the second made through traditional etching techniques, we will create a composite image that brings together photography’s power to record and etching’s power to invent. Participants should bring a digital file of a photographic image with which they wish to work. Knowledge of copper-plate etching techniques is useful, but not necessary.
See our Cancellation Policy:
New Directions in Monotype: Creative Techniques for Creative Explorations - April 13th - 14th
$258.90
**Sold out**
**If you'd like to know when we offer it again, please sign up for our class wait list!**
Instructor: Mary Sundstrom
Weekend workshop
Class dates: Saturday & Sunday, April 13 & 14
Class time: 10 AM – 5 PM, includes lunch break
Class fee: $240 + tax, includes all printing materials and one large paper (divided in quarters.) Additional paper may be purchased.
In this class, Mary will push you into new directionsto experiment with many different monotype techniques! Monotypes are one-of-a-kind prints made by applying and removing inks with a paintbrush or a roller onto a polymer plate and then printing the image onto paper. Additional layers can be created by applying another element to the plate and passing it through the press one or more times, resulting in rich, layered, complex prints. Inks can be wiped and scratched off, dotted on, applied or blocked with stencils and much more. We invite the experienced and the inexperienced to join us in this creative, wild journey into the nearly infinite possibilities of monotypes…
See our Cancellation Policy:
Multi-plate Color Gravure - April 27 & 28
$258.90
Instructor: Diane Alire
Class Date: April 27 & 28
Weekend workshop
Multiple Plate Gravure
This workshop provides an exciting opportunity to create beautiful limited edition prints using positive and negative plates, and multiple color plates. Utilizing Photoshop and printmaking you can turn an ordinary color photograph into an “out of this world” image. Gravure was introduced in the 1800’s as a way to reproduce photographic prints and is still used today. Prior knowledge of etching, photography and/or Photoshop is very helpful but not necessary.
This class is open to all, but it is recommended that students take the “Introduction to Gravure” class first.
Class dates: April 27 & 28
Class time: 10 AM - 5 PM, includes lunch break
Class fee: $ 240 + tax, includes two small plates, and all printing materials. Additional plates are available for purchase.
Instructor: Diane Alire, MFA
See our Cancellation Policy:
Carborundum Collagraphs: Creating collagraph plates from digital images - June 15-16
$264.30
Instructor: Trish Meyer
Weekend Workshop
Instructor: Trish Meyer
Class dates: Saturday & Sunday, June 15-16, 2019
Class time: 10 AM – 5 PM, includes lunch break
Class fee: $245 + tax, includes all printing materials and one large paper (divided in quarters.) Additional paper may be purchased.
In this innovative workshop, you’ll learn how to use digital images or drawings on polyester film to create a carborundum collagraph. This vastly expands the creative possibilities for carborundum printmaking, in which plates are normally created by painting with acrylic medium and adding carborundum grit.
This technique uses a light-sensitive film adhered to screenprinting mesh (often referred to as “EZ film”). This film is exposed to a positive transparency in a light exposure unit, and any unexposed film is washed out with water. To make the plate, Akua’s Carborundum Gel is pushed through the holes in the exposed mesh onto clear acrylic. Plates are inked up with Akua Intaglio or other suitable ink, and printed on an etching press on dampened paper.
To see this process in action, watch Akua’s video on YouTube and focus on the section titled “Making the Plate” (starts at 1:50):
Your instructor, Trish Meyer, is an experimental artist, printmaker and calligrapher with a background in graphic design. Visit her website at trishmeyer.com.
See our Cancellation Policy:
Take the Plunge! Deep Explorations in Ink Interaction: Monotype and Monoprint with Akua Soy-based Inks - August 5th-7th
$496.23
3-day workshop with Catherine Kernan
Instructor: Catherine Kernan
Class Dates: Monday - Wednesday August 5th-7th
Class Time: 10am - 5pm, includes lunch break
Class fee: 460.00 + tax
Through an intensive exploration of inks and ink modifiers, this workshop offers the context, information, and inspiration to create richly layered monotypes and monoprints, both as singles and in series using soy-based Akua inks. This workshop will focus on exploiting the possibilities of viscosity techniques to yield results that cannot be achieved any other way. Taking advantage of ink interactions and developing multi-color prints from layering inks on a single plate. It will cover many approaches, both traditional and experimental, including: trace transfer, reductive, additive, and viscosity monotype on a variety of matrices. We will explore resists as stencils and add dimension through relief blocks, stamps, texture tools and stencils. No toxic fumes and extended workability of the inks make it a liberating experience.
Artists new to printmaking and Akua Inks, as well as experienced printmakers are welcome. Extensive notes on printmaking topics and techniques will be available for a small additional cost.
Catherine Kernan is a nationally known printmaker specializing in the use of the non-toxic Akua Inks.
Special Opportunity with this class: Extend your experience of Catherine Kernan's workshop with two days of studio time (August 8th and 9th) in our fully equipped studio. $200.00
See our Cancellation Policy:
New Grounds was one of the first completely non-toxic professional print workshops in the world. In business for more than 20 years, it is an internationally recognized institution dedicated to providing artists with press access, classes, exhibition opportunities and other printmaking related services.
IMPORTANT NEWS: Our retail business hours have changed. We are now open Thursdays, Fridays, and Saturdays, 10 am - 6 pm, and also by appointment (please provide one day's notice via email--we'd love to meet with you!). |